[Moved to Cape House 4/12] John Davis & The Cicadas

[Moved to Cape House 4/12] John Davis & The Cicadas

Marble Fawn, Low-Ways

Thu · April 13, 2017

Doors: 7:30 pm / Show: 8:00 pm

$12 Advance / $15 Day of Show


This event is 21 and over

John Davis & The Cicadas
John Davis & The Cicadas
John Davis is a recording artist & multi-instrumentalist originally from Cambridge MA, where he started The Folk Implosion with partner Lou Barlow in the summer of 1993 before leaving the band in 2001. John relocated to Durham, NC in August of 2013 to begin working with producer Scott Solter on a muckraking cycle of songs about corporate corruption in the food industry and related issues like (im)migration, mass incarceration, public health, and the stock market. Previews of the resulting album, El Pulpo, will start appearing online in April leading up to a September release via Shrimper/Revolver here in the US & Canada and Arbouse Recordings in Europe and Japan.

The songs were originally written in Watertown, MA between 2010 and 2012 after reading the book Stuffed and Starved by Raj Patel and many other similar texts such as Empire’s Workshop by Greg Grandin. But they were recorded entirely in North Carolina, where a synergistic relationship evolved between the recording studio and the local community because of John’s work as a public school teacher and activist with the Durham Association of Educators. Living in the same town as producer Solter allowed John to record on evenings and weekends while teaching in a school that serves many children of immigrants from some of the countries referenced in the lyrics of this record. A summer recording trip to Mitch Easter’s Fidelitorium Studios in Kernersville, NC saw the band drive by Syngenta’s Headquarters for North and South America in Greensboro NC. The presence of a nearby feedstore in downtown Kernersville served as a reminder of the agricultural power of NC’s economy, where 90% of the state’s 100K farmworkers are undocumented, mostly from Latin America.

The album title translates as “The Octopus,” after the derisive nickname union organizers in Central America gave to the United Fruit Company because of the tentacle-like grip it held over countries like Honduras and Guatemala. But the songs chart the machinations of other Octopi, from Coca-Cola to Monsanto, Blue Cross/Blue Shield and Drexel Burnham Lambert, while referencing pop-culture figures ranging from Mean Joe Green and Juan Valdez to Frank Sinatra and the infamous Earl Rusty Butz, Richard Nixon’s erstwhile Secretary of Agriculture.

This dense and experimental-yet-catchy album was executed with the help of over a dozen backing musicians including Peter Hughes of The Mountain Goats on bass, Andrew Levi-Hiller of Yairms/Alhhla on drums, Wendy Allen of Balustrade Ensemble on backing vocals, Jonathan Henderson of Kaira Ba on stand up bass, and improv trombone player Jeb Bishop.

This will be a quartet and will preview some of the new record and revisit 2013’s Spare Parts, as well as a few tunes from the ‘90’s archives of JD and FI.

masoch from rumur on Vimeo.

Marble Fawn
Marble Fawn
Marble Fawn was born in 2010 as a bedroom & closet recording project in San Francisco. After several years of touring and collaborating with John Vanderslice (Dead Oceans), Ian Bjornstad moved to New York, and started playing with Jesse Perlstein (Slowest Runner), Nic Fera, Cheryl Kingan (The Scene is Now), & Liam Singer (Liam Singer). They have been described variously as Television meets Tortoise, or Destroyer à la Can. With anti-jam spirit, angular guitar chords, interlocking melodies, odd time signatures and beta state sonics, their music is surreal, high energy, disturbing, compelling and catchy.
Greg Peterson, Cheryl Kingan
Venue Information:
Union Hall - Brooklyn
702 Union Street
Brooklyn, NY, 11215